The Piano Guys
Great Northeast Productions, Inc. is proud to welcome The Piano Guys back to Boston for a celebration of the holiday season at the Citi Performing Arts Center’s Wang Theatre for one show only on December 9th at 7:30 PM. Reserved seat tickets are $34.00-$59.00 (plus $3.75 facility fee) and on sale now without service charges at the Wang Theatre box office (located at 270 Tremont Street). Tickets may also be ordered online at Ticketmaster.com or by telephone by calling 800-982-2787. Applicable service charges will apply. To order tickets via TTD, dial 800-943-4327. A limited number of Gold Circle seating including an after show meet and greet and signed merchandise will be available for $125.00 (plus $3.75 facility fee). Regular box office hours are 12 Noon – 6 PM Tuesday-Saturday. The Wang box office accepts all major credit cards.
Following the success of The Piano Guys’ first two major label releases, “The Piano Guys” and “The Piano Guys 2,” the group released their holiday album, “A Family Christmas” last year. “A Family Christmas” puts The Piano Guys’ signature twist on such Christmas classics as “Silent Night,” “Good King Wenceslas” and “Angels We Have Heard On High.”
Already a YouTube phenomenon from their focus on self-made innovative videos in stunning locations, the Piano Guys have amassed more than 2.8 million YouTube subscribers — and more than two billion views. “A Family Christmas” mashes up the classics with pop. “It’s the Piano Guys’ signature sound,” says Al van der Beek, who heads up the group’s studio operations and also assists in co-writing and arranging, as well as percussion and vocal texturing. “We just don’t take the songs and cover them exactly, but apply the ‘TPG Twist’ on them. I think it resulted in one of those traditional Christmas albums that people put on while they put up their Christmas trees.” “We’re really thrilled with the variety of material,” adds Jon Schmidt, ironically the group’s sole piano player. Cellist Steven Sharp Nelson is “the other guy”. Paul Anderson, owner of the St. George, Utah piano store dubbed “The Piano Guys” completes the team, overseeing the video productions and the group’s YouTube channels among other things.
Hailing from Utah, The Piano Guys became an Internet sensation by way of their immensely successful series of strikingly original self-made music videos. They’ve made over 35 since joining forces in early 2011, including their hit video, an innovative 10-handed version of One Direction’s “What Makes You Beautiful.” But it’s the Guys’ highly original blend of classical music with pop that has really been the cause of an Internet phenomenon that has brought them to their major label debut album, The Piano Guys, released on Sony Masterworks in the Fall of 2012.
The Piano Guys have performed on everywhere from “The Tonight Show with Jay Leno,” to “The Today Show” and “Katie.” Their video “Mission Impossible” featuring YouTube violin sensation Lindsey Stirling, continues to build momentum with over 1.5M views in a month. It finds the band and Stirling in a spy thriller as covert operatives while playing their unique take on this famous musical theme.
The album features more of the imaginative mash-up arrangements that The Piano Guys are already famous for, including sources ranging from Michael Jackson to Mozart, The Bourne Identity to David Guetta. It also includes an original song and innovative takes on hits by One Direction, Adele and Christina Perri.
But just who are The Piano Guys? Actually, there’s only one piano player, Jon Schmidt, and one other instrumentalist, Steven Sharp Nelson, on cello. Yet the other two – Paul Anderson, and Al van der Beek – are equally significant members of the group. The Piano Guys’ name comes from Anderson’s piano store in St. George, Utah, which was called The Piano Guys. Looking for an alternative to low-yield conventional advertising, Anderson devised a Facebook promotional page and YouTube channel featuring the most famous pianist he could find – local pianist, Jon Schmidt. A self-described “New Age Classical” player, Schmidt was indeed well established locally, thanks to eight albums and seven piano books of his song transcriptions. He also performed concerts throughout Utah, one of which featured a young guest artist, Steven Sharp Nelson, who adventurously combined traditional cello playing with percussion effects. “I was 15 when I met Jon and started playing with him,” Nelson recalls. “I had to get a ride to shows! But we’ve had a great brotherhood that’s now lasted 20 years.”
When Nelson moved from Salt Lake City to the suburb of Sandy, providence, if not serendipity, intervened. Al van der Beek, who came from a musical family and played several instruments and sang, lived down the street from Nelson’s new place and helped him move. “I suggested we ‘collaborate’ sometime and he hesitated because I think he didn’t want to disappoint me if I was horrible!” says van der Beek, laughing. “But,” says Nelson, “I checked out his home studio and started playing some of my unfinished songs, and he told me what the titles should be and their meaning – and finished them on the spot! The guy is music incarnate!”
Anderson was so taken by the music of Schmidt and Nelson that he closed his store at the end of 2011 in order to devote himself to the group, which only became a full-time operation in February 2012. “I had to let the piano store go!” he says, laughing. “Some of the pianos are still in storage and have been used in the videos.”
The spectacular Piano Guys videos, have 2.8 million YouTube subscribers and so far have netted over two billion YouTube views (with as many as 500,000 new views a day). “Jon had built up a fan base for 20 years, and we used that as a springboard for getting exposure,” Anderson notes, “but it’s all about the merits of the videos, and share-ability. People see them and then share them with their friends on Facebook, and before you know it, they can take off.”
The Piano Guys Facebook fans have shared videos like “Michael Meets Mozart,” which features over 100 tracks of cello textures, including a deep bass drum sound created by tapping on the cello body; a shaker sound made by Nelson rubbing rosin on his bow; and a record-scratch noise caused by his scraping a quarter on the strings. “Michael Meets Mozart” is on The Piano Guys debut CD, as is “Cello Wars,” the ambitious video which resulted from a six-month production required to realize its Star Wars-inspired light saber/cello bow concept.
“We try to put a ‘wow factor’ in every video,” says Anderson, promising that future videos for The Piano Guys tracks will likewise factor in plenty of wow. This certainly is true for “Peponi (Paradise),” the Guys’ African spin on Coldplay’s “Paradise,” for which the group, hours after coming up with the concept, helicoptered a grand piano onto the edge of a 1,000-foot cliff, where stellar African guest vocalist Alex Boyé sang the translated words. Same with “Code Name Vivaldi,” which blends The Bourne Identity soundtrack riff with a similarly intense Vivaldi cello concerto in a breathless video culminating with Schmidt and Nelson, who were originally swayed into classical music by the Vivaldi piece, performing on a flatcar on a high-speed train.
The album’s lead track “Titanium/Pavane” is a mash-up of French classical composer Gabriel Fauré’s “Pavane” with David Guetta’s “Titanium.” – the Guys having previously lent a lovely take on Guetta’s “Without You.” A clip will certainly be created for “Arwen’s Vigil,” a Piano Guys original. “Beethoven’s 5 Secrets” merits special mention. The piece itself employs five separate melodies from the four movements of Beethoven’s 5th Symphony, in conjunction with OneRepublic’s “Secrets.”
“We love showcasing the beauty of the earth—where people don’t expect to find classical instruments,” says Anderson, and sure enough, the Beethoven video combines stunning outdoor performance footage from the mountains surrounding St. George, Utah, with a concert featuring the American Heritage Lyceum Philharmonic Youth Orchestra, thereby manifesting The Piano Guys’ dual goal of bringing people to classical music and inspiring young musicians.
“Lots of parents are using our music to show their kids how fun classical music can be and motivate them to learn instruments,” says Schmidt. The Piano Guys’ cover song mash-ups, adds Nelson, have become “a great way to introduce ourselves and make an instant connection with our audience as a classic spin on new stuff – and a new spin on classic stuff.”
With van der Beek’s studio prowess together with the inventive cinematography of Anderson, Schmidt and Nelson have forged a fresh approach to the growing classical crossover fusion of classical and pop music that in their case has connected quietly but emotionally with a massive audience.
“We’re all spiritual guys, and the only way to properly explain it is not to take credit!” says Nelson. “It really seems meant to be.”
Links: thepianoguys.com – Tickets – Box Office Info – Directions – Map